Jednak Książki. Gdańskie Czasopismo Humanistyczne https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki <p>"Jednak Książki" to wydawane elektronicznie czasopismo Instytutu Filologii Polskiej, zajmujące się problematyką literaturoznawczą (teoria, historia i krytyka literacka), ale uwzględniające również w szerokim zakresie tematykę filozoficzną, antropologiczną, społeczną oraz artystyczną.</p> pl-PL redakcja.jednakksiazki@gmail.com (Redakcja Jednak Książki) czasopismaug@ug.edu.pl (Agnieszka Kranich-Lamczyk) Tue, 14 Dec 2021 00:00:00 +0100 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Autobiographical Remembering: Memory as Resistance in Bengali Dalit Women’s Narratives https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6992 <p>This paper makes an attempt to explore how the concept of memory works as a tool of resistance in the narratives of the Bengali Dalit women writers in the Partitioned Bengal. The Bengali Dalit women have been marginalized in different ways, and the history of these women has been neglected. But the atma-katha (life-story) of the Bengali Dalit women seeks to question the accepted official historical record of Bengal. In this paper, I propose to examine the narratives of Dr. Puspa Bairagya and Kalyani Thakur Charal which were chiefly produced in the twenty-first century Bengal and were anti-caste narratives and thereby provide an insight into the counter-memories of the Bengali Dalit women. I would like to apply the autobiographical memory theory to the narratives of these writers. My prospective paper endeavors to illuminate personal agency and healing and would hope to generate a new understanding of the texts in the Indian context.</p> Purbasha Mondal Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6992 Tue, 14 Dec 2021 00:00:00 +0100 Nostalgia for a Lost Home: Exile and Trauma in Lucette Lagnado’s Memoirs https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6993 <p>This paper seeks to study exile as a traumatic experience by focusing on the multiple manifestations of trauma in the memoirs of the Jewish-Egyptian writer Lucette Lagnado. Exile, in Edward Said’s view, “is the unhealable rift forced between a human being and a native place, between the self and its true home” (Said 2000: 173). Lagnado chose writing to voice the trauma of exile of the whole Jewish Egyptian community expelled from Egypt after the establishment of the state of Israel and the arrival of the Free Officers to power in 1952. In Lagnado’s memoirs, trauma re-surfaces in different places and times, through flashbacks and nightmares. These unwanted and suppressed memories reemerge involuntarily and keep Lagnado trapped in an ever-ending nostalgia. Both Caruth’s work on trauma and Herman’s analysis of the three stages of trauma recovery will help us better understand the place of trauma in Lagnado’s memoirs.</p> Ichrak Issaoui, Ilhem Issaoui Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6993 Tue, 14 Dec 2021 00:00:00 +0100 Melancholy in Marcel Proust https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6994 <p>The purpose of this article is to show how Marcel Proust faces temporality and how we can establish a parallel between his moods and the melancholic state of mind. A brief reflection is made on our relationship with time and about melancholy as consequence of our awareness of the passage of time. Focusing on the study of the first chapter of <em>Swann’s Way</em>, the first volume of Proust’s work In <em>Search of Lost Time</em>, it is presented as part of Proust’s melancholic experience, the fact that he articulated different times with the recourse of involuntary memory, one of the main means used by him in the writing of this work. The question of intuitions as thrusters of this same involuntary memory is addressed and as Proust, neither offering us a figurative literature, nor an abstract literature, used this formula in the struggle against his melancholic hopelessness. It is specified how Proust made the image (figure) to appear alternating the sensation of present with the sensation of past. Some considerations are made about mourning from two different standpoints, firstly from Walter Benjamin’s point of view and his philosophical perspective on the phenomenon of melancholy, then from the approach of Sigmund Freud, to whom melancholy is a pathology within the scope of psychiatry, opposed to mourning. The “loss” prevails throughout this reflection as a condition for the melancholic disposition.</p> Isabel Sargento Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6994 Thu, 23 Jun 2022 00:00:00 +0200 Longing in the Past, Belonging in the Future: An Autoethnographic Fiction https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6995 <p>In this autoethnographic writing, we explore the concepts of longing and belonging through a collaborative writing process that is fictional at times and autoethnographic at times. We present an experimental and arts-based approach to analyzing and understanding memories, and themes of nostalgia, belongingness, and longing in the present day. Through our autoethnographic fiction (Bochner and Ellis 2016; Ellis 2004) we explore questions such as: what is it like to long and belong, what is it like to long for a future that is embedded in the past, what is it like to futurize/co-futurize memories, and what if the past is the pre-present? As immigrants to Toronto, coming from nations that were once colonized, and still remain in the peripheries of colonization, we ponder about our bodies occupying the third space that we are living in, the feelings of nostalgia and belonging in our fiction. We write about our belongingness to our roots and the trajectories of our beings and think what decolonizing the the concept of memories might evoke. Methodologically, we draw from Erin Manning’s (2016) idea of going against method to propose a collaborative autoethnographic fiction writing and collaging practice that implicates our memories and bodies with our surroundings and other bodies, human, beyond human, and material, as instruments of research. We suggest that the decolonization and dehistoricization of memories and our conceptions of longing, belonging, and creating futures embedded in the past can happen by futurizing our notions of memories. We hope that writing a fiction in conversation with one another and in synchronicity of each other’s experiences will allow us to deconstruct and problematize our understanding of memories, the frictions between avant-garde and nostalgia and interspersing the collaging practice will allow us to build our stories and explore belongingness and nostalgia, longing for something indefinite and unwanted memories.</p> Vishwaveda Joshi, Ira Famarin Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6995 Tue, 14 Dec 2021 00:00:00 +0100 Persisting Abscences: The Socio-political Dynamics of a Desaparecido in Post-dictatorial Brazil https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6996 <p>The construction of memories following the last Brazilian dictatorship is as plural as the number of social actors implicated and as fluid as political circumstances can be. From investments on institutionalized forgetting to the creation of policies of memory, governmental initiatives affected the way society processed the acts of terror perpetrated by the military regime (1964–1985). The development of such initiatives, however, cannot be understood without accounting for the persistent struggle of victims’ relatives and human rights’ advocates. This paper aims to reflect on the Brazilian post-dictatorial mnemonic conflicts by observing how different levels of memory interacted with the political sphere in the process of coping with political disappearance. Drawing on relatives’ testimonies regarding the disappearance of Fernando Santa Cruz and the institutional mechanisms developed by different governments, this text intends to demonstrate how State-sponsored absences during the dictatorship are constantly being (re)constructed according to social and political circumstances of the present.</p> Luis Eduardo Quintão Guerra Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6996 Tue, 14 Dec 2021 00:00:00 +0100 Whatever is Inside is Outside: Do Nostalgic Memories Exist in Parallel Universes? https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6997 <p>This paper explores nostalgic memories from an unconventional perspective and their complex relationship with parallel universes. The arrow of time is not necessarily linear, and nostalgic memories pertaining to the past or the future, be it in this world or in parallel universes, could be accessed in various states of consciousness. Whatever is inside (in the internal environment of an individual) is outside (in the external environment), which is in line with esoteric teachings and individualistic experiences. The Indian concept of <em>Maya</em> (illusion) that applies to the material world, acts as a hindrance to experiencing <em>Brahman</em> or the ultimate Truth. Until one is able to perceive the infinitely connected universe in all its gigantic underlying unity, it may be posited that nostalgic memories exist in parallel universes.</p> Samhita K Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6997 Tue, 14 Dec 2021 00:00:00 +0100 Loss, Longing, and Desire: The Poetics of Nostalgia in Qurratulain Hyder’s "My Temples, Too" https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6998 <p>“Nostalgia,” writes Svetlana Boym, often emerges in times of “historical upheavals” or when the “rhythms of life” are suddenly “accelerated.” One can well understand that such nostalgic outbreaks are the results of the experience change. One such moment was that of the Partition of India in 1947. This paper focuses on this moment as it is depicted in Qurratulain Hyder’s novel, <em>My Temples, Too</em>. Hyder’s novel, that centers around the experience of Partition, is haunted by a palpable sense of loss, of rupture, and an acute longing for the places and spaces of the past that its characters witness as eroding. Following scholars like Boym, Linda Hutcheon, De Brigard, Gaston Bachelard, Edward Casey, and others, this paper first prepare the ground of its argument by showing how memory and nostalgia are often deeply rooted in everyday things, objects, and places of habitation, investing them with a sense of belonging. Thereafter, it situates Hyder’s novel in its immediate context and explores its poetics of loss, longing, and nostalgia.</p> Sushobhan Das Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/6998 Tue, 14 Dec 2021 00:00:00 +0100 Nostalgia, Depression and Suicide as the Consequence of Acquired and Inherited Trauma in Amelia Rosselli’s Poetry https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/7003 <p>In one of her many poetic motivation descriptions included in her literary works and comments, Amelia Rosselli points to tough-life experience as a factor influencing her artistic creativity. The Italian twentieth-century poet repeatedly emphasizes a direct impact of mental well-being as the driving force of her writing process. A gloomy flashback, hand in hand with a concept, experience, and fantasy, influence the expression of her pieces and structures the literary space. A minor overtoned reference to the grievous reality of Fascist Italy connected with the murder-for-hire of family members, sudden and premature death of her sweetheart and brother, mental illness in the context of the DNA memory, and, finally, the promise of suicide had all impacted noticeably upon the verses of her poems. Another thing worth mentioning is the issue of stress and hardships lived through by Amelia Rosselli’s mother and her immediate relatives just prior to the poet’s birth. According to the latest developments in medicine and cognitive sciences, any psychical damage influences bodily and mental functioning of persons not only directly affected by them, but also their descendants. The linguistic terms applied in the pieces of the Italian poet provoke a discussion of the phenomenon of post-memory. The term, which was proposed by Marianne Hirsch to refer to collective trauma inheritance, has been recently broadened by psychologists to encompass individual memory as well. The fragments written in four language codes (Italian, French, English, and music notation) offer hints to be used in the psycho-emotional analysis of the poet. Additionally, scrutinizing Amelia Rosselli’s nostalgic lyrical pieces, we can discern, by referring to psychological sciences, how the composition-making can constitute an auto-psychotherapy procedure. In terms of interdisciplinarity, the experience of melancholy and nostalgia in Amelia Rosselli’s artistic creativity covers the psychological, social, historical, cultural, political, and artistic areas.</p> Olga Zasada Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/7003 Tue, 14 Dec 2021 00:00:00 +0100 The Role of Memory in Penal Sciences https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/7004 <p>The ancient Greeks believed that memory was a gift from the beautiful goddess Mnemosine, daughter of Uranus and Gaia, belonging to the first generation of titans and a titanide. Nowadays memory is understood and defined in many different ways, sucha as multi-stage process consisting of the ability to register and recall data information. Memory processes are undoubtedly very closely related to emotions. They differ depending on the duration of the memory trace, as well as the type of information and the degree to which we are consciously involved in the process of remembering and recreating information. The aim of this paper is to show the importance of human’s memory in penal science. Memory allows to recreate a so- -called memory portrait with the help of a qualified police cartoonist or a computer program, the perpetrator of which the witness or the aggrieved person saw only for seconds. Such portraits are published through various means of communication, such as the press, the Internet, and television. They often cause the quick identification and apprehension of the perpetrator.</p> Agnieszka Romanowska Prawa autorskie (c) 2022 https://creativecommons.org/licenses/by/4.0 https://czasopisma.bg.ug.edu.pl/index.php/JednakKsiazki/article/view/7004 Tue, 14 Dec 2021 00:00:00 +0100