Altérité et métamorphose de l’imaginaire dans Les Coréens et Les Huissiers de Michel Vinaver

Autor

  • Mondher Chafra Université de Kairouan

Słowa kluczowe:

drama, alterity, imagination, metamorphose, discourse

Abstrakt

The contemporary theater has many subversive dramatic forms. The concept of theatricality may cover many considerations of modern French drama. Anyway. We try to have evidence about otherness (alterity) and its line’s manifestation which we will focus. We have searched to read both conceptually and aesthetically by structure of imagination. The rise of dramatic theatre during the same scene that firmly established symbolic and daily life represented discourses.

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Bibliografia

Buber M., La vie en dialogue, Paris, Aubier Montaigne, 1959.

Levinas E., Alterité et transcendence, Paris, Fata Morgana, Paris, 1995.

Noujaim M., Le théâtre de Michel Vinaver. Du dialogisme à la polyphonie, Paris, L’Harmattan, 2012.

Vinaver M., Théâtre complet I : Les Coréens ‐ Les Huissiers, Paris, Actes Sud, 2004. Eco U., L’oeuvre ouverte, Paris, Éditions du Seuil, 1965.

Opublikowane

2015-12-01

Jak cytować

Chafra, M. (2015). Altérité et métamorphose de l’imaginaire dans Les Coréens et Les Huissiers de Michel Vinaver. Cahiers ERTA, (8), 141–151. Pobrano z https://czasopisma.bg.ug.edu.pl/index.php/CE/article/view/1096

Numer

Dział

Études