Alterity and imaginary’s metamorphose in Les Coréens and Les Huissiers of Michel Vinaver

Authors

  • Mondher Chafra University of Kairouan

Keywords:

drama, alterity, imagination, metamorphose, discourse

Abstract

The contemporary theater has many subversive dramatic forms. The concept of theatricality may cover many considerations of modern French drama. Anyway. We try to have evidence about otherness (alterity) and its line’s manifestation which we will focus. We have searched to read both conceptually and aesthetically by structure of imagination. The rise of dramatic theatre during the same scene that firmly established symbolic and daily life represented discourses.

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References

Buber M., La vie en dialogue, Paris, Aubier Montaigne, 1959.

Levinas E., Alterité et transcendence, Paris, Fata Morgana, Paris, 1995.

Noujaim M., Le théâtre de Michel Vinaver. Du dialogisme à la polyphonie, Paris, L’Harmattan, 2012.

Vinaver M., Théâtre complet I : Les Coréens ‐ Les Huissiers, Paris, Actes Sud, 2004. Eco U., L’oeuvre ouverte, Paris, Éditions du Seuil, 1965.

Published

2015-12-01

How to Cite

Chafra, M. (2015). Alterity and imaginary’s metamorphose in Les Coréens and Les Huissiers of Michel Vinaver. Cahiers ERTA, (8), 141–151. Retrieved from https://czasopisma.bg.ug.edu.pl/index.php/CE/article/view/1096

Issue

Section

Études