Still life or silent life? On de Chirico’s French poetry and his poetic Stilleben

Authors

  • Emanuela Nanni Université du sud – Toulon – Var

Keywords:

poetry, silence, shadow, geometry of light, still life

Abstract

This article aims to study some French poems of Giorgio De Chirico and to investigate his lyrical still lifes in comparison with his figurative representations of the same subjects. Starting from the consideration that the French term “nature morte” has not the same meaning than the German term Stilleben, we would like to point out that literally speaking the German version means “a silent nature” giving an interpretation that is the most close to the reality. We often confound death with the lack of sound, with a tranquility that, on the contrary, is not a form of death. Death has always been De Chirico’s biggest attraction, as we can see reading his poems.

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References

Charles V., Nature Morte, New York, Parkstone Press International, 2011.

De Chirico G., « Le nature morte », L’Illustrazione italiana, 24 maggio 1942.

De Chirico G., Poèmes Poésie, Jean-Charles Vegliante (éd. critiques), Paris, Solin, 1981.

De Chirico G., Il Meccanismo del pensiero, Torino, Einaudi, 1985.

De Chirico G., « Tutte le poesie », Metafisica 2008, 7/8, http://www. fondazionedechirico.org/wp-content/uploads/424-500Metafisica7_8.pdf

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Rubin W., Schmied W., Clair J., Giorgio de Chirico, Paris, Centre Georges Pompidou, 1983.

Erbert-Schifferer S., Natures mortes, Paris, Citadelles et Mazenod, 1999.

Published

2014-12-01

How to Cite

Nanni, E. (2014). Still life or silent life? On de Chirico’s French poetry and his poetic Stilleben. Cahiers ERTA, (6), 71–84. Retrieved from https://czasopisma.bg.ug.edu.pl/index.php/CE/article/view/1123

Issue

Section

Études