Revues scientifiques académiquesDeuil, « soupçon », réparation : récit de filiation de Vera Feyder
DOI :
https://doi.org/10.4467/23538953CE.19.025.11549Mots-clés :
filiation, récit, Vera Feyder, mère, pèreRésumé
The work of Vera Feyder, a Wallo‐Serbo‐Polish‐Jewish author as she considers herself, has been developing, since its beginnings in 1961, in the feeling of abandonment. The poor childhood of the author, due to the absence of the father, the poet Maurice Federman who disappeared in the concentration camps, and the mother, Elise who due to lack of re‐ sources, had to place her daughter in the sanatoriums or homes for disadvantaged children, exerts a certain influence on the author who during all her lifetime couldn’t recover from this lack, important for her and for her work. The Feyder’s récit de filiation appears at first as a barely disguised autobiography; it is then a projection of nostalgia and rancor, even of hate which is the part of the identity of the author; it is finally getting even with the past, including the historical past.
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Références
Feyder V., La bouche de l’Ogre, [s. l.], Le Grand miroir, 2002.
Feyder V., Un manteau de trous, Bruxelles, Tournesol – Luc Pire, 2005.
Gefen A., Réparer le monde. La liFérature française face au XXIe siècle, Paris, Corti, 2017.
Viart D., « Filiations littéraires », [dans :] J. Baetens, D. Viart (dir.), Écritures contenmporaines 2. États du roman contemporain, Paris – Caen, Lettres Modernes Minard, 1999.
Viart D., Vercier B., La littérature française au présent. Héritage, modernité, mutaEons, Paris, Bordas, 2005.
Zbierska‐Mościcka J., Lieux de vie, lieux de sens. Le couple lieu‐identité dans le roman belge contemporain, Frankfurt, Peter Lang, 2014.
