Victoires of Wajdi Mouawad : when defene- stration becomes a collective hope

Authors

Keywords:

Wajdi Mouawad, Greek tragedy, heroin, suicide, come back to life

Abstract

Victoire, a student at the National Conservatory of Dramatic Art, committed suicide when she was only twenty-four years old. This death, inspired by Greek tragedies, reveals a gesture that is both heroic and symptomatic of an era. In his play, Wajdi Mouawad questions the depth of the deadly gesture of suicide as well as fate of death. By analyzing the funeral rites evoked in the play, we will see how Victoire's friends engage in a process of idealizing death, making Victoire a modern heroine. The gesture of death transforms into that of a gesture of hope, leading them towards a surge of life itself.

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References

Borie M., Le fantôme ou le théâtre qui doute, Arles, Actes Sud, 1997.

Jankélévitch V., L’irréversible et la nostalgie, Paris, Flammarion, 1974.

Mouawad W., Littoral, Arles – Montréal, Actes Sud – Leméac, 1999 et 2009.

Mouawad W., Victoires, Arles – Montréal, Actes Sud – Leméac, 2017.

Vernant J.-P., La mort dans les yeux, Figures de l’autre en Grèce antique, Paris, Hachette, 1985.

Vernant J.-P., L’individu, la mort, l’amour. Soi-même et l’autre en Grèce antique, Paris, Gallimard, 1989.

Published

2022-03-31

How to Cite

Giacomazzi, E. (2022). Victoires of Wajdi Mouawad : when defene- stration becomes a collective hope. Cahiers ERTA, (29), 106–129. Retrieved from https://czasopisma.bg.ug.edu.pl/index.php/CE/article/view/6847

Issue

Section

Études