Between stillness and noise: An analysis of Sylvia Plath’s poem “Tulips”

Autor

  • Ewa Chodnikiewicz Uniwersytet Gdański

Słowa kluczowe:

silence, noise, tulips, poetry, confessional

Abstrakt

The theme of silence in poetry may be presented in a broad sense. It may concern the poem’s structure as well as its content. When reading Sylvia Plath’s poetry, a variety of recurring themes can be explored, mainly family ties, unhappy love, death, depression. They are connected with strictly personal experiences. This is the reason why Plath’s poetry is considered both autobiographical and confessional. Through the analysis of the poem “Tulips”, published in the collection Ariel in 1965, different depictions and understandings of silence are be explored, ones that encourage readers to look at Plath’s “Tulips” from different points of view. The article analyzes the poem through a discussion of the themes of silence and noise which intermingle with each other throughout the poem’s components, such as the structure, the setting, and the speaker’s feelings.

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Bibliografia

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Heidegger, Martin (1968). What is Called Thinking? New York: Harper & Row.

Mitchell, Paul (2011). Sylvia Plath: The Poetry of Negativity. València: Publicacions de la Universitat de València.

Plath, Sylvia (1971). The Bell Jar. New York: Harper & Row.

Plath, Sylvia (1961). “Tulips”. In: Ted Hughes (ed.). The Collected Poems: Sylvia Plath. New York: Harper & Row, 160-162.

Rose, Jacqueline (2007). “Daddy”. In: Harold Bloom (ed.). Bloom's Modern Critical Views: Sylvia Plath. New York: Infobase Publishing, 21-57.

Opublikowane

2016-12-07

Jak cytować

Chodnikiewicz, E. (2016). Between stillness and noise: An analysis of Sylvia Plath’s poem “Tulips”. Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, (13), 165–177. Pobrano z https://czasopisma.bg.ug.edu.pl/index.php/beyond/article/view/13160

Numer

Dział

Literary studies