War, Postmemory, and Exhibition Design in Greece. The “Asia Minor Hellenism: Heyday-Catastrophe-Displacement-Rebirth” Exhibition at the Benaki Museum (2022–2023)

Autor

  • Maria G. Moschou University of Patras

DOI:

https://doi.org/10.26881/jk.2023.16.06

Słowa kluczowe:

1922 Catastrophe, civilianization of war, postmemory, commemorative exhibitions, national identity

Abstrakt

In the paper, I critically discuss the commemorative exhibition “Asia Minor Hellenism: Heyday-Catastrophe-Displacement-Rebirth” (Athens, Benaki Museum, 2022–2023), examining the role of postmemory in the shaping of national identity in contemporary Greece. Building my analysis on Marianne Hirsch’s concept of postmemory, I draw attention to commemorative exhibition practices and the intergenerational transmission of collective traumatic experiences related to dark events of national significance. Touching upon issues concerning the civilianization of war, I interrogate commemorative exhibitions as prefabricated events, bringing to the fore the selective management of collective memory through exhibition design.

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Opublikowane

2023-11-20

Jak cytować

Moschou, M. G. (2023). War, Postmemory, and Exhibition Design in Greece. The “Asia Minor Hellenism: Heyday-Catastrophe-Displacement-Rebirth” Exhibition at the Benaki Museum (2022–2023). Jednak Książki. Gdańskie Czasopismo Humanistyczne, (16), 83–104. https://doi.org/10.26881/jk.2023.16.06