Śmiech to zdrowie? Stand-up w obliczu pandemii

Autor

  • Piotr Zdziarstek Szkoła Doktorska Nauk Humanistycznych i Społecznych w Gdańsku

DOI:

https://doi.org/10.26881/jk.2022.14.06

Słowa kluczowe:

stand-up, comedy, pandemic, performance studies, coronavirus, satire, audience, laughter, distance, interaction, co-presence

Abstrakt

In this article, I analyze how the coronavirus pandemic has affected stand-up comedy. Due to the restrictions, comedians lost the opportunity to perform live. It was a serious problem, because it is impossible to create stand-up material without the main verifier of jokes – the audience. Some comedians have chosen to perform their acts on the internet. However, this type of virtual barrier only emphasized the fact that a fundamental part of stand-up comedy is the presence of a live audience. In the second part of this article, I explore how comedians joked about the coronavirus and how their approaches to this diffcult topic differed. As it turns out, Polish comedians focused primarily on personal stories and minor observations related to lockdown. Meanwhile, American stand-ups displayed a journalistic bias, paying more attention to how the pandemic affected society as such.

Downloads

Download data is not yet available.

Bibliografia

Ansari Aziz. 2022. Nightclub Comedian (program). Netflix.

Bargatze Nate. 2021. The Greatest Average American (program). Netflix.

Bergson Henri. 1977. Śmiech. Esej o komizmie. Stanisław Cichowicz, tłum. Kraków: Wydawnictwo Literackie.

Brodie Ian. 2014. A Vulgar Art: A New Approach to Stand-up Comedy. Jackson: University Press of Mississippi.

Che Michael. 2022. Shame the Devil (program). Netflix.

Čapek Karel. 1981. Marsjasz, czyli na marginesie literatury. Halina Janaszek-Ivaničková, tłum. Kraków: Wydawnictwo Literackie.

Fischer-Lichte Erika. 2008. Estetyka performatywności. Mateusz Borowski, Małgorzata Sugiera, tłum. Kraków: Księgarnia Akademicka.

GaDgan Jim. 2020. Comedy Monster (program). Netflix.

Garvey Marianne. 2020. „Comedians https://edition.cnn.com/2020/04/07/entertainment/comedianscoronavirus/index.html. Data dostępu: 21.03.2022.

Gillota David. 2019. „Reckless Talk: Exploration and Contradiction in Dave Chappelle’s Recent Stand-Up Comedy”. Studies in Popular Culture, nr 1: 1-22.

Gross Terry. 2012. „Louis C.K.’s Diagnosis: Masterful”. Online: https://www.npr.org/2012/10/08/162514765/louis-c-k. Data dostępu: 20.03.2022.

Kubicka M. 2022. Każdy ma swoje Wejherowo (program). Online: https://youtu.be/HMH9uAvw8Dw. Data dostępu: 16.05.2022.

Kutek Michał. 2020. Już dobrze (program). Online: https://youtu.be/xKj-GjSTdvQ. Data dostępu: 20.03.2022.

Leja Michał. 2022. Anatomia (program). Online: https://youtu.be/t82XUmxapzE. Data dostępu: 20.03.2022.

Rutter Jason. 1997. Stand-up as Interaction: Performance and Audience in Comedy Venues. Saford: University of Salford, Institute for Social Research, Departament of Sociology.

Simon Scott. 2021. „Comedians Find Humor In the Past Year As Comedy Clubs Open Back Up”. Online: https://www.npr.org/2021/06/05/1003533670/comedians-

Syrek-Dąbrowski Antoni. 2021. Kronika Filmowa (program). Online: https://youtu.be/hw1n0rqU8Vk. Data dostępu: 20.03.2022.

Szczęśniak Olka. 2022. Wszyscy jesteśmy hipokrytami (program). Online: https://youtu.be/eqt9xmL1qH0. Data dostępu: 16.05.2022.

Van Bendler Adam. 2020. Sok z brzozy (program). Online: https://youtu.be/iOXjJEguXU8. Data dostępu: 24.03.2022.

Weisholtz Drew. „No laughing matter: How stand-up comedy is suffering during the coronavirus”. Online: https://www.today.com/popculture/how-stand-comedy-suffering-during-coronavirus-t187215. Data dostępu: 20.03.2022.

Willen Claudia. „Pete Davidson, Lilly Singh, and other comedians detail how stand-up comedy crumbled in the pandemic”. Online: https//www.insider.com/stand-upcomedy-suffered-pandemic-2021-1. Data dostępu: 20.03.2022.

Pobrania

Opublikowane

2022-09-29

Jak cytować

Zdziarstek, P. (2022). Śmiech to zdrowie? Stand-up w obliczu pandemii. Jednak Książki. Gdańskie Czasopismo Humanistyczne, (14), 82–95. https://doi.org/10.26881/jk.2022.14.06