Thomas Elsaesser and I – a memory

  • Agnieszka Piotrowska University of Bedfordshire

Bibliografia

Barthes, R. (2011 [1980]). The Preparation of the Novel. Trans. by Kate Briggs. New York: Columbia University Press.

Derrida, J. (1988 [1985]). The Ear of the Other: Otobiography, Transference, Translation. C. McDonald (eds.). Trans. by P. Kamul. Lincoln: University of Nebraska Press.

Elsaesser, T. (1989) New German Cinema: A History. London: Macmillan.

Elsaesser, T., Piotrowska A. (2019). ‘Lovers in Time: An Essay Film of Contested Memories;’ in: B. Hollweg, I. Kristic (eds.) World Cinema and the Essay Film. Edinburgh: Edinburgh University Press.

Haraway, D. (1988). ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, in: “Feminist Studies”, Vol. 14, No. 3 (Autumn) pp. 575–99.

Haraway, D. (2004). The Haraway Reader. London & New York: Routledge.

Haraway, D. (2004). Second Millennium. Feminism and Technoscience. London, New York: Routledge.

Haraway, D., Schneider, J. (2005). ‘Conversations with Donna Haraway’, in: J. Schneider, D. Haraway (eds.) Live Theory. London/New York: Continuum.

Rich, A. (1986). Of Woman Born. Motherhood as Experience and Institution. London: Virago.

Rich, A. (1979). On Lies, Secrets and Silence; Selected Prose, 1966-1978. London: Norton.

Rughani, P. (2013). ‘The Dance of Documentary Ethics’, in: The Documentary Film Book, B. Winston. (ed.) London: BFI/Palgrave Macmillan.

Silverman, K. (1988). The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press.

Opublikowane
2019-12-17
Jak cytować
Piotrowska, A. (2019). Thomas Elsaesser and I – a memory. Panoptikum, (22), 43-50. Pobrano z https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/4336