No. 15/4 (2018)

Articles

• The strategies of seeing differently in Kathleen Jamie’s travel writing: 'Findings' and 'Sightlines'

  Anna Dziok-Łazarecka

  7-25

  • PDF

• The demotic tongue of mateship in Australian Great War literature: The vernacular humourist

  Dominic P. G. Sheridan

  27-45

  • PDF

• The strange case of Francis Dolarhyde and the Dragon: Alternating narrative points of view and the source of knowledge in Thomas Harris’ 'Red Dragon'

  Justyna Stiepanow

  47-68

  • PDF

• Theatre as a means of countering resurgent nationalism and racism in the 21st century: Seth Baumrin’s work in Europe

  Ewelina Topolska

  69-86

  • PDF

• Decoding visual and acoustic signals: Epistemological uncertainty in Tom Stoppard’s 'After Magritte' and 'Artist Descending a Staircase'

  Jadwiga Uchman

  87-100

  • PDF

• Truth and meaning in the maze of irony: A glance at Muriel Spark’s fiction

  Anna Walczuk

  101-115

  • PDF

• American Indian epistemology in Deborah A. Miranda’s 'Bad Indians: A Tribal Memoir'

  Grzegorz Welizarowicz

  117-155

  • PDF

• The eye looks back: Seeing and being seen from William Bartram to H.P. Lovecraft

  Marek Wilczyński

  157-172

  • PDF