Mój Pasikowski. Uwagi o dramaturgizacji obrazu w "Krollu", "Psach" i "Psach 2"

Abstrakt

This essay is an attempt to give an account of the immensely personal – because of its generational aspects – “reading” of the films directed by Władysław Pasikowski. The way the essay’s author “sees” these films was also influenced by her well-grounded fascination of their cinematography done by Paweł Edelman, thanks to which the first three films of Kroll’s director may be interpreted as something much more than simply examples of popular cinema.