Spectacle in Contemporary Mainstream Action Cinema

Autor

  • Filip Cieślak Uniwersytet Gdański

DOI:

https://doi.org/10.26881/pan.2021.26.03

Słowa kluczowe:

attraction, spectacle, mainstream action cinema

Abstrakt

The following article traces the historical development of the notion of spectacle. It first provides an outline of theoretical research on the subject, pointing out various interpretations and approaches. Secondly, comparative-quantitive analysis is used to compare several film series (Die Hard, Fast and Furious, Mad Max, Predator) in order to find what changes spectacle has undergone in mainstream action-adventure cinema, and to what extent these permutations have impacted the relationship between narration and spectacle. Finally, key takeaways are summarised and additional questions for future research posed.

Downloads

Download data is not yet available.

Bibliografia

Abel, R. (ed). (2005). Encyclopedia of Early Cinema, London: Routledge.

Bordwell, D. (2006). The Way Hollywood Tells It. The University of California Press.

Bordwell, D. (ed), Carroll, Noël (ed). (1996). Post-Theory: Reconstructing Film Studies. The University of Wisconsin Press.

Bordwell, D., Steiger, J., Thompson, K. (1985). The Classical Hollywood Cinema. New York: Routledge.

Buckmaster, L. (2017). Miller and Max: George Miller and the Making of a Film Legend. London.

Cowie, E. (1998). Classical Hollywood Cinema and Classical Narrative in: Neale, Steve (ed), Smith, Murray (ed), Contemporary Hollywood Cinema. London: Routledge.

Duncan, P. (ed), Müller, J. (ed). (2018). Film Noir. Taschen. Eisenstein, S. (1988). The Montage of Film Attractions in Selected Works. Volume 1: Writings, 1922–34, ed. and trans. Taylor, R. London.

Gunning, T. (2006). Attractions: How They Came Into the World, in: Strauven, Wanda (ed), The Cinema of Attractions Reloaded. Amsterdam University Press.

Gunning, T. (2006). The Cinema of Attractions[s]: Early Film, Its Spectator and the Avant-Garde in: Strauven, W. (ed), The Cinema of Attractions Reloaded, Amsterdam University Press.

Kessler, F. (2006). The Cinema of Attractions as Dispotif, in: Strauven, W. (ed), The Cinema of Attractions Reloaded. Amsterdam University Press.

King, G. (2000). Spectacular Narratives. London & New York.

Tasker, Y. (1993). Spectacular Bodies, London: Routledge.

Opublikowane

2021-10-19

Jak cytować

Cieślak, F. (2021). Spectacle in Contemporary Mainstream Action Cinema. Panoptikum, (26), 61–79. https://doi.org/10.26881/pan.2021.26.03

Numer

Dział

Artykuły