No. 26 (2021)

• Editorial

  Mirosław Przylipiak

  7-15

  • PDF (Język Polski)

Article

• Tachyons, tactility, drawing and withdrawing: cinema at the speed of darkness

  William Brown

  19-38

  • PDF

• How Fast is Furious The Discourse of Fast Cinema in Question

  Carlo Comanducci

  39-60

  • PDF

• Spectacle in Contemporary Mainstream Action Cinema

  Filip Cieślak

  61-79

  • PDF

• Loop Structures in Film (and Literature): Experiments with Time Between the Poles of Classical and Complex Narration

  Matthias Brütsch

  83-107

  • PDF

• Narration as attraction. Mind-game films and postclassical spectacles

  Barbara Szczekała

  109-129

  • PDF

• Network Narratives in Global Cinema: The Shift from Community to Network and Their Narrative Logics

  Seung-hoon Jeong

  131-152

  • PDF

• Revisiting Videogame Logic: Impossible Storyworlds in the Contemporary Hollywood Blockbuster

  Warren Buckland

  155-167

  • PDF

• The Universe-al Storytelling. Towards A ‘Spatial’ Narrative Model in Modern Comic Book Cinema

  Tomasz Żaglewski

  169-188

  • PDF

• Spaces of difference. Narration in animation/liveaction hybrid films

  Michał Piepiórka

  189-215

  • PDF

• Attention, Distraction and the Distribution of the Senses: “Slow”, “Reflexive” and “Contemplative” between Cinema and the Museum

  Thomas Elsaesser

  219-245

  • PDF

• Time Flows: Rhythm in Slow Cinema

  Marta Stańczyk

  247-256

  • PDF

• On the Margin of ”Satantango”. Some Remarks on Slow Cinema

  Mirosław Przylipiak

  257-274

  • PDF

Varia

• The Yugoslav imaginary of Marko Vidojkovic in the novel "E baš vam hvala"

  Ewelina Chacia

  275-285

  • PDF