Mind-Games, Meta Cinema and Self-Allegory: The Case of Inception

  • Thomas Elsaesser

Bibliografia

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Jensen, J. (2010). ‘Inception’: Behind the Scenes of a Movie about Movies -- and the Mind of Its Maker. “Entertainment Weekly”, July 24. [https://ohnotheydidnt.livejournal. com/49059535.html].

Kinney, T.J. (2018). Christopher Nolan’s Dunkirk as Film and History. “Mise-en-Scene”, Vol. 3, No.2.

ONTD, (2010). Inception: Dreaming as Filmmaking, [https://ohnotheydidnt.livejournal. com/49059535.html].

Panek, E.T. (2014). ‘Show, don’t tell’: Considering the Utility of Diagrams as a Tool for Understanding Complex Narratives, in: W. Buckland ed., Hollywood Puzzle Films (pp. 72–88). London: Routledge.

Poniewozik, J. (2019). ‘Game of Thrones’ Is Going Out Fighting. So Will Its Audience, “New York Times”, May 18. [https://www.nytimes.com/2019/05/18/arts/television/game-of- thrones-season 8.html?nl=todaysheadlines&emc=edit_th_190519].

Seitz, M.Z. (2017). Dunkirk. rogerebert.com July 21, 2017, [https://www.rogerebert.com/reviews/dunkirk-2017]

Opublikowane
2019-12-17
Jak cytować
Elsaesser, T. (2019). Mind-Games, Meta Cinema and Self-Allegory: The Case of Inception. Panoptikum, (22), 29-37. Pobrano z https://czasopisma.bg.ug.edu.pl/index.php/panoptikum/article/view/4334