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Academic Scientific Journals
  1. Home /
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  3. No. 15 (2016)

No. 15 (2016)

Published: 2016-06-15

Artykuły

  • Byzantine Gem with Christ Pantocrator from the Roman Catholic Church in Kruszyn

    Mirosław Piotr Kruk
    5-20
    • PDF (Język Polski)
  • Presentation of Female Virtues in Gdańsk Art as Seen Against Preachers’ Texts and Moralistic Literatur

    Magdalena Mielnik
    21-38
    • PDF (Język Polski)
  • Isaac van den Blocke, Painter and Mennonite in Gdańsk in the Early Seventeenth Century: Is There Anything Mennonite in His Paintings "Before the Flood" and "The Narrow and the Broad Way"?

    Rainer Kobe
    39-57
    • PDF (Język Polski)
  • The Pentecost Paintingfrom the Former High Altar in St. Bridget’s Church in Gdańsk

    Jacek Tylicki
    58-64
    • PDF (Język Polski)
  • Rysunki Giovanniego Battisty Tiepola z kolekcji gdańszczanina Jacoba Kabruna - kilka uwag o ikonografii

    Maja Baran
    65-79
    • PDF (Język Polski)
  • Julius Gotthard Beniamin Greth – Portraitist of Cities

    Joanna Weiner-Zalewska
    80-98
    • PDF (Język Polski)
  • Architecture of the Municipal Hospital Complex in Gdańsk

    Aurelia Bladowska
    99-127
    • PDF (Język Polski)
  • Court Buildings in Nowe Ogrody Street in Gdańsk

    Karolina Kaczmarska
    128-154
    • PDF (Język Polski)
  • Exhibition of Estonian Art (Warsaw– Cracow 1939). Context and Reception

    Dariusz Konstantynów
    155-202
    • PDF (Język Polski)
  • Wacław Weker and His Unimplemented Designs for Gdynia and Jastrzębia Góra

    Małgorzata Omilanowska
    203-230
    • PDF (Język Polski)

dodatkowe

ISSN 1234-1533
MEiN points: 40

Issue 22 (2023) has 70 points.

Open Access Policy
Licencja Creative Commons
All articles available under Attribution 4.0 International (CC BY 4.0).

Keywords

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The Porta Aurea journal is intended for readers interested in the history of art and architecture, and is thematically focused on the artistic problems of the broadly defined Baltic Region. This profiling is not exclusive, but means that texts on the art of Gdansk, or more broadly of the Tricity, Pomerania, northern Germany, the Baltic countries, and Scandinavia constitute the core of each volume. 

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