Editorial

Bazin, A. (1951). Pour un cinéma impur: défense de l’adaptation’.

Bordwell, D. (2006). The Way Hollywood Tells It. Story and Style in Modern Movies. Berkeley-Los Angeles-London: University of California Press.

Bordwell, D. (2008). Mutual Friends and Chronologies of Chance, in: idem, Poetics of Cinema, New York, London: Routledge.

Carroll, N. (2008), Philosophy of Motion Pictures, Blackwell Publishing.

Cowie, E. (1998). Storytelling. Classical Hollywood Cinema and classical narrative, in: Contemporary Hollywood Cinema, ed. by Steve Neale and Murray Smith, London and New York: Routledge.

Lewis, J. (ed) (2001). The End of Cinema as We Know it: American Film in the Nineties, New York: New York University Press.

Nagib, L. (2006). Towards a positive definition of world cinema. In: S. Dennison and S. Hwee Lim (eds.), Remapping World Cinema: Identity, Culture and Politics in Film, London: Wallflower Press.

Nagib, L.; Jerslev, A. (2014). Introduction. In: Impure Cinema. Intermedial and Intercul- tural Approaches to Film, ed. Lúcia Nagib, Anne Jerslev, London, New York: I.B. Tauris.

Rosen, P. (2014). From Impurity to Historicity. in: Impure Cinema. Intermedial and Intercultural Approaches to Film, ed. Lúcia Nagib, Anne Jerslev, London, New York: I.B. Tauris.

Helman, A.; Ostaszewski, J (2007). Historia myśli filmowej. Podręcznik. Gdańsk, słowo/ obraz terytoria.

Schrader, P. (2018). Rethinking Transcendental Style. in: Idem: Transcendental Style in Film: Ozu, Bresson, Dreyer, First Edition, With a New Introduction edition: University of California Press.

Stańczyk, M. (2019). Czas w kinie. Doświadczenie temporalności w slow cinema. Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.

Syska, R. (2014). Filmowy neomodernizm. Kraków: Wydawnictwo Avalon.

Thanouli, E. (2008). Narration in World cinema: Mapping the flows of formal exchange in the era of Globalisation, “New Cinemas: Journal of Contemporary Film”, Volume 6 N. 1.

Thanouli, E. (2009). Post-classical Cinema. An International Poetics of Film Narration. Wallflower Press, London.