No. 21 (2019): Body stories

• Editorial

  Monika Michałowska, Anna Alichniewicz

  6-8

  • PDF

Article

• Bioethical strategies in the context of bioart

  Kamil Gibas

  10-27

  • PDF

• Becoming liminal – existence in anti-structure

  Karolina Żyniewicz

  28-45

  • PDF

• Biometric trails of nonhuman environments. Medical imaging of plants’ bodies in bio-artistic projects

  Ewelina Twardoch-Raś

  46-64

  • PDF

• The interactive context of discovering the category of corporeality in a phenomenological approach

  Alicja Długołęcka

  65-80

  • PDF

• “We understand each other, my friend”. The freak show and Victorian medicine in "The Elephant Man"

  Małgorzata Bugaj

  81-94

  • PDF

• Revelations of science: discussing images of prenatal development by Ernst Haeckel and Lennart Nilsson

  Matylda Szewczyk

  95-115

  • PDF

Varia

• Polish – meaning what exactly? Polish cinema through the eyes of British audiences (based on selected films made between 2008 and 2018)

  Barbara Giza

  118-136

  • PDF (Język Polski)

• Snowy depression and Norwegian trips to the end of irony. Reinterpretations of the road movie’s conventions in Rune Denstad Langlo’s "Nord" and literary works of Erlend Loe

  Sebastian Jakub Konefał

  137-148

  • PDF (Język Polski)

• The Art of performance after "The Artist Is Present". The continuation of Marina Abramović’s actions in her followers’ work

  Weronika Metlenga

  149-162

  • PDF (Język Polski)

Review

• Kino podzielone. Recenzja książki Andrzeja Gwoździa pt. "Kino na biegunach. Filmy niemieckie i ich historie 1949-1991"

  Patrycja Włodek

  164-169

  • PDF (Język Polski)