Uniwersyteckie Czasopisma NaukoweSpaces of difference. Narration in animation/liveaction hybrid films
DOI:
https://doi.org/10.26881/pan.2021.26.09Słowa kluczowe:
rotoscopy, motion capture, space in the film, the parallel worlds, cartoonAbstrakt
The aim of this paper is to focus on the ways of using animation as well as its function in live-action/ animation hybrid films. The usage of animation in narratives of such type of movies can vary. However, what connects them is the way of telling the story, based on the juxtaposition of two different realities that interact in a number of ways. The ways of combining the two worlds can be very different: animation may symbolize what is fantastic, as in pioneer McCay’s ‘Gertie the Dinosaur’, but also what is imagined, felt, thought out, once lived, dreamed of, alternative. The article describes the differences between classic hybrids and contemporary films.
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Filmography:
‘A Scanner Darkly’ (2006) by Richard Linklater
‘Avatar’ (2009) by James Cameron
‘Bedknobs and Broomsticks’ (1971) by Robert Stevenson
‘Beetlejuice’ (1988) by Tim Burton
‘Close Encounters of the Third Kind’ (1977) by Steven Spielberg
‘Cool World’ (1992) by Ralph Bakshi
‘Coonskin’ (1975) by Ralph Bakshi
‘Enchanted’ (2007) by Kevin Lima
‘Fantasmagorie’ (1908) by Emil Cohl
‘Final Fantasy: The Spirits Within’ (2001) by Hironobu Sakaguchi
‘Foxtrot’ (2017) by Samuel Maoz
‘Gertie the Dinosaur’ (1914) by Winsor McCay
‘Heavy Metal’ (1981) by Gerald Potterton
‘Heavy Traffic’ (1973) by Ralph Bakshi
‘Humorous Phases of Funny Faces’ (1906) by James Stuart Blackton
‘James and the Giant Peach’ (1996) by Henry Selick
‘Kill Bill: Vol. 1’ (2003) by Quentin Tarantino
‘King-Kong’ (1933) by Merian C. Cooper, Ernest B. Schoedsack
‘Last Action Hero’ (1993) by John McTiernan
‘Little Nemo’ (1911) by Winsor McCay
‘Lord of the Rings’ (1978) by Ralph Bakshi
‘Mars Attacks!’ (1996) by Tim Burton
‘Mary Poppins Returns’ (2018) by Rob Marshall
‘Mary Poppins’ (1964) by Robert Stevenson
‘Miss Potter’ (2006) by Chris Noonan
‘Monty Python and The Holy Grail’ (1975) by Terry Gilliam
‘Osmosis Jones’ (2001) by Peter Farrelly
‘Out of the Inkwell’ (1918-1929) by The Flaischer Brothers
‘Pete’s Dragon’ (1977) by Don Chaffey
‘Polar Express’ (2004) by Robert Zemeckis
‘Ready Player One’ (2018) by Steven Spielberg
‘Rogue One: A Star Wars Story’ (2016) by Gareth Edwards
‘Scott Pilgrim vs The World’ (2010) by Edgar Wright
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‘The Big Short’ (2015) by Adam McKay
‘The Congress’ (2013) by Ari Folman
‘The Diary of a Teenage Girl’ (2015) by Marielle Heller
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‘The Three Caballeros’ (1944) by Norman Ferguson
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