No. 12 (2013): Dokumentalizacje

Published: 2013-06-28

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Article

Documentary on YouTube. The failure of the direct cinema of the slogan

Alexandra Juhasz

10-26
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Absence, Excess and Epistemological Expansion: Towards a framework for the study of animated documentary

Annabelle Honess Roe

27-45
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Para-documentary horror – attempt to define a genre

Katarzyna Żakieta

46-60
- PDF (Język Polski)
La vérité? Quelle vérité? Experimenting with reality in non-fiction film of the 60.

Bartosz Zając

62-75
- PDF (Język Polski)
Things, things, things. Chris Marker’s Le Mystere Koumiko (1965) at the junction of cinematic forms

Monika Rawska

76-85
- PDF (Język Polski)
Mask and demystification. Autobiographical motifs in contemporary Polish documentaries

Michał Piepiórka

88-101
- PDF (Język Polski)
Contemporary faces of personal documentary (Jonathan Caouette’s Tarnation, Kim Ki-duk’s Arirang and Jafar Panahi’s This is Not a Film)

Paweł Biliński

102-120
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Home movies jako codzienne historie zmediatyzowane. Badanie obrazów powstałych w warunkach domowych w dobie nowych mediów

Melinda Blos-Jáni

121-131
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In the search of the myth in Grzegorz Królikiewicz’s films

Michał Dondzik

134-142
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Remarks on the documentary Pine and Fir Trees. Woomen’s Memories of Life during Socialism

Dagmara Rode

143-151
- PDF (Język Polski)
Paranoid, moi? Surveillance and the Popular Cultural Documentary

Peter Ole Pedersen, Jan Løhmann Stephensen

152-172
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Case of an artist as a scriptwriter in the works of Latvian documentary filmmaker Juris Podnieks

Zane Balčus

174-186
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Between truth and stereotype, tradition and modernity: national and transnational motives in Icelandic documentaries of the last decade

Jakub Sebastian Konefał

187-203
- PDF (Język Polski)
The Death and the Image

Jay Cantor

206-227
- PDF (Język Polski)
Reading Jolanta Dylewska’s Po-lin

Barbara Stolarska

228-251
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Varia

Giorgio Agamben’s theory of cinema poetics and cinematic art of Guy Debord

Jakub Morawski

254-268
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Nature’s Horror and Grand Style in Lars von Trier’s Antichrist

Alessandro Zir

269-277
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Review of the book: Metody dokumentalne w filmie

Tomasz Rachwald

278-282
- PDF (Język Polski)
Author(s), authority…

Grażyna Świętochowska

283-291
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No. 12 (2013): Dokumentalizacje

Full Issue

Article

Documentary on YouTube. The failure of the direct cinema of the slogan

Absence, Excess and Epistemological Expansion: Towards a framework for the study of animated documentary

Para-documentary horror – attempt to define a genre

La vérité? Quelle vérité? Experimenting with reality in non-fiction film of the 60.

Things, things, things. Chris Marker’s Le Mystere Koumiko (1965) at the junction of cinematic forms

Mask and demystification. Autobiographical motifs in contemporary Polish documentaries

Contemporary faces of personal documentary (Jonathan Caouette’s Tarnation, Kim Ki-duk’s Arirang and Jafar Panahi’s This is Not a Film)

Home movies jako codzienne historie zmediatyzowane. Badanie obrazów powstałych w warunkach domowych w dobie nowych mediów

In the search of the myth in Grzegorz Królikiewicz’s films

Remarks on the documentary Pine and Fir Trees. Woomen’s Memories of Life during Socialism

Paranoid, moi? Surveillance and the Popular Cultural Documentary

Case of an artist as a scriptwriter in the works of Latvian documentary filmmaker Juris Podnieks

Between truth and stereotype, tradition and modernity: national and transnational motives in Icelandic documentaries of the last decade

The Death and the Image

Reading Jolanta Dylewska’s Po-lin

Varia

Giorgio Agamben’s theory of cinema poetics and cinematic art of Guy Debord

Nature’s Horror and Grand Style in Lars von Trier’s Antichrist

Review of the book: Metody dokumentalne w filmie

Author(s), authority…

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