No. 16 (2016): Ekonomia kina

Wprowadzenie

Production studies w Polsce-stan badań

Anna Wróblewska

8-18
- PDF (Język Polski)

Article

Institution of a Film Festival in the Economy of Cinema

Marcin Adamczak

20-37
- PDF (Język Polski)
Film Clusters as a New Way of the Organisation of Audio-visual Production

Krzysztof Stachowiak

38-57
- PDF (Język Polski)
Ethnography in the Study of Film and Production Culture

Iwona Morozow

58-66
- PDF (Język Polski)
Basic Forms of Film Marketing Communication

Arkadiusz Lewicki

67-75
- PDF (Język Polski)
Necessary Evil: Dubbing in Poland before 1939

Paweł Sitkiewicz

78-92
- PDF (Język Polski)
The Filmmaking Process in Poland in the 1970s Presented on the Example of a Short Film Produced by the Educational Film Studio)

Emil Sowiński

93-104
- PDF (Język Polski)
Box Office, Cinemacentrism and the Polish Cinema of the 1990s

Michał Piepiórka

105-120
- PDF (Język Polski)
Factors Suppressing the Development of the Scandinavian Horror in the 20th Century

Piotr Wajda

121-132
- PDF (Język Polski)
Evaluation of the Application for Operational Programme “Film Production” at the Polish Film Institute

Artur Majer

134-150
- PDF (Język Polski)
Is Milanówek Archive a Promised Land for Historians?

Krzysztof Kornacki

151-166
- PDF (Język Polski)
"Pornduction Studies". Production and Distribution of Adult Films Before the Internet Era on the Example of the British Film Market

Grzegorz Fortuna Jr.

167-177
- PDF (Język Polski)
Situation of the Polish Animated Film Studios after 1989

Joanna Kiedrowska

178-190
- PDF (Język Polski)
The Marvel Age: Economic Specification of the Marvel Cinematic Universe

Tomasz Żaglewski

192-204
- PDF (Język Polski)
Post-cinematic Łódź and the Tourist Gaze. The Uses of Film-related Features of the City in Business and Non-commercial Initiatives

Ewa Ciszewska

205-227
- PDF (Język Polski)
Jumping in at the deep end, or the case of The Lure and making films nobody else seems to be making

Paulina Pohl, Krystyna Weiher-Sitkiewicz

228-243
- PDF (Język Polski)
"Forget the Film, Watch the Title Credits!". A Case Study from the History of Opening Title Sequence

Grażyna Świętochowska

244-269
- PDF (Język Polski)

Varia

The myth of the Internet’s freedom of information

Helena Draganik

272-288
- PDF (Język Polski)
Directed by: Robert Redford

Anna Dębowska

289-305
- PDF (Język Polski)
Theatricality of Video Art at the Festival In Out 2016

Jakub Kłeczek

306-316
- PDF (Język Polski)

No. 16 (2016): Ekonomia kina

Full Issue

Wprowadzenie

Production studies w Polsce-stan badań

Article

Institution of a Film Festival in the Economy of Cinema

Film Clusters as a New Way of the Organisation of Audio-visual Production

Ethnography in the Study of Film and Production Culture

Basic Forms of Film Marketing Communication

Necessary Evil: Dubbing in Poland before 1939

The Filmmaking Process in Poland in the 1970s Presented on the Example of a Short Film Produced by the Educational Film Studio)

Box Office, Cinemacentrism and the Polish Cinema of the 1990s

Factors Suppressing the Development of the Scandinavian Horror in the 20th Century

Evaluation of the Application for Operational Programme “Film Production” at the Polish Film Institute

Is Milanówek Archive a Promised Land for Historians?

"Pornduction Studies". Production and Distribution of Adult Films Before the Internet Era on the Example of the British Film Market

Situation of the Polish Animated Film Studios after 1989

The Marvel Age: Economic Specification of the Marvel Cinematic Universe

Post-cinematic Łódź and the Tourist Gaze. The Uses of Film-related Features of the City in Business and Non-commercial Initiatives

Jumping in at the deep end, or the case of The Lure and making films nobody else seems to be making

"Forget the Film, Watch the Title Credits!". A Case Study from the History of Opening Title Sequence

Varia

The myth of the Internet’s freedom of information

Directed by: Robert Redford

Theatricality of Video Art at the Festival In Out 2016

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